50×70 cm archival ink on heavy watercolour paper


‘Empty’ plays with perspective, colour and line and displays an obvious link to Escher’s style based as it is on the architecture of the Escher Museum in The Hague. The interplay of the arches, stairs, railings, floors and ceilings contribute to the organised confusion of ‘Empty’- a space waiting for the return of the crowds when life returns to normal.